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Gareth Richards
David Coward
Tim Wallace-Abbott
Duncan House
Tracey Barrington
Andrea Young
Georgina Smith
Dale Waterworth
Aaron Carlo
Martin Mansfield
Jo Mansfield
Jane Melling
Kim Doyle
Jenny Balfe
Pam Brewer
Pete Whitaker
Shelly Gould
Lorraine Rowan
Emma Cooper
Emma Lane




Director

Neil Mathieson
Musical Director
Jonathan Spratt
Choreography
Georgina Smith
Musical Assistant
Andrea Young
Choreography Assistant
Carly Simmerling
Production Manager
Sarah McHelhatton
Stage Manager
Richard Oakley
Lighting Design
Eliot Walker
Sound
Les Acton
Projector Operator
Louise King
Props
Ann Smith
Ann Paskins
Accounts
Sue Woodward
Karen Hanmer
Publicity
Neil Mathieson
Valerie Gillard
Programme
Neil Mathieson
Tickets
Jo Mansfield
Costumes Liason
Andrea Young
Costumes
Carry on Costumes
Set Design & Graphics
Neil Mathieson
Set Construction
Tim, Lorraine, Gareth, Karen,
Neil, Pam, Shelley, Tracey,
Jane H, Ginny,
Kim, Steve, Austyn.
Front of House
Tracey Barrington, Darryl West
Stage Crew
Barry Sinclair, Phil Stevens,
Olly White

Keyboard 1
Jonathan Spratt
Drums
Pete Mundy
Lead Guitar
Austin Brown
Bass Guitar
Lee Webb
Sax 1
Mike Hopkins
Keyboards 2

Neil Sissons

'Smokey blazes a trail
for amateur shows'

BOTH Charity Players and Arena have long had a reputation as quality players on the local amateur scene, so it hardly came as a surprise that this joint production the first of many, I hope was of such a high standard. But I wonder of anyone involved realised that it would turn out to be what proved as near perfect as any I have ever seen.

The buzz began as soon as the curtains parted, and from then on it was super-charged, high-octane rock 'n' roll until we bopped our way out of the theatre some two hours later. It may have had only the slightest of story lines, but there was plenty of humour and enough well-known 50s songs Jailhouse Rock, Spanish Harlem, On Broadway and many more to keep everyone¹s feet tapping.

Director Neil Mathieson and his production team of Georgina Smith (choreographer), Jonathan Spratt (musical director) and assistants Andrea Young and Carly Simmerling, simply worked a miracle.

Brilliant lighting, great back-slides, fantastic costumes, an excellent band and, first and foremost, a cast of 20 highly talented individuals who sang, danced and acted as if their lives depended on it, made for a production that took the word 'amateur' right out of the picture.

Linda Kirkman
Bournemouth Daily Echo


'50s and 60s tunes and
dances a sell out
at Regent'

THE toe tapping tunes of the 50s and 60s were dramatically bought to life inthe song and dance extravaganza, 'Smokey Joe's Cafe', performed jointly by Highcliffe Charity Players and Arena Theatre.

Fantastic costumes, masterful choreography and legendary Lieber and Stoller hits, which included 'Hound Dog'. 'Stand By Me', 'Jailhouse Rock', 'Pearl's A Singer', 'Love Potion No. 9' and 'Spanish Harlem', gave the sold out Regent Centre crowd a real musical treat.

The show, which must have been a logistical nightmare for the two amateur groups, was directed by Neil Mathieson, with Jonathan Spratt as the musical director and Georgina Smith as chief choreographer. The frequent costume changes and smooth transitions between the 40 dramatised musical hits resulted in a seamless performance which gelled together beautifully.

Shelley Gould's 'Pearl's A Singer' was particularly memorable as was the amusing rendition of 'Some Cats Know' by Tracey Barrington and Pete Whitaker. Other highlights included 'Kansa City', 'Teach Me How To Shimmy', 'Hound Dog', and 'I'm A Woman'. The use of photographs and newspaper cuttings from the 50s and 60s displayed on a massive sliding screen, added to the authenticity of the performances, particularly in the ladies rendition of 'Neighbourhood'.

'Smokey Joe's Cafe' was a dazzling, energetic show and credit to all involved.

RW
New Milton Advertiser
and Times


 

 













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